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D16 Group Antresol 1.3.2 | 60.52 MB | A legendary flanger resurrected. In bringing the classic stomp box back to life, we've created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it's rock guitar riffs or melodic synth lines you're into, you'll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That's why D16 couldn't resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection! Loaded with features way beyond the original Antresol's users can also enjoy absolute freedom of control over every aspect of the BBD-based delay line (including such nuances as calibration of the linearity of the clocking system or the number of analog memory cells constituting the backbone of the BBD). Fashioning a flanger sound that is uniquely you yet retains all the richness and warmth afforded by the original, classic circuit design has never been easier! In addition to the standard parameter knobs found on the face of the original unit, there is also a wide range of deeper parameters available to tweak, such the on-PCB trimpots which would normally be inaccessible without taking the stompbox apart. Some even go far beyond those you could find in common flanger-type effects: a fully controllable LFO (with adjustable phase and rate sync to a host application's tempo); the ability to delink the stereo channels and control the most important parameters independently for left and right (or mid/side, depending on selected mode), and more. Try the demo today and see where your imagination takes you! True BBD emulation with total control An exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line (a Bucket Brigade Device) is responsible for the impeccable sonic characteristics found in Antresol. Effects based on high-quality BBD emulations stand out with remarkable, even seductive warmth, and we have no doubt that the tremendous success of D16's first foray into BBD delay line emulation, the chorus plugin Syntorus, has been directly attributable to this approach. The key element around which Antresol is designed, an analog BBD integrated circuit, proved to offer some unique challenges for a digital emulation of this type. In particular, the feedback parameter showed some weaknesses in the form of improper shapes of emerging peaks and notches in the frequency response, forcing us back to the drawing board. After much R&D, our Eureka moment came in the form of a much-refined BBD emulation using quasi-analog signal representation throughout, guaranteeing behavior much more akin to the original, physical circuit. While a bit chaotic, it includes all the benefits and subtleties the analog domain can offer-unlike a deterministic, classically digital algorithm-and all this without any unwanted artifacts such as aliasing (something we always take great pains to minimize). and all with the rock-solid stability only digital can offer! Key Features True emulation of BBD based analog delay line Optional independent parameter control for each stereo channel Selectable L/R or M/S stereo processing modes Mistress mode allows the whole unit to work the same as the classic flanger LFO can be synchronized with your host application 3 different LFO-to-BBD clock curves Ultra-low aliasing output Highly musical and pleasant sound Tag-based browser Two alternative GUI sizes MIDI-learn functionality throughout 64bit internal processing Platform: WiN32/64 - VST/AAX(MODiFiED) WORKiNG NOTE: The D16 release by VR timebombs. R2R D16 release works only with R2R keygen. The license from other groups can cause timebomb. Uninstall previous version, and activate with R2R keygen. Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/antresol ------------------------------------*****------------------------------------ D16 Group Antresol 1.3.2 (60.52 MB) NitroFlare Link(s) https://nitroflare.com/view/144760B0D662FAD/D16_Group_Antresol_1.3.2.rar RapidGator Link(s) https://rapidgator.net/file/4d0db88315007fd6af1eb99af05075ae/D16_Group_Antresol_1.3.2.rar

D16 Group Devastor 2.3.2 | 44.82 MB | Devastor 2 is the second generation of D16's first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level! Structure The plug-in consists of four essential blocks Dynamics-flattener module (one-knob controlled input signal compressor) Diode-clipper distortion Three multi-mode filter sections Optionally activated signal limiter The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette. Devastor's filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself! Versatile and advanced Devastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with speaker combo. It can even be used with drums to make them sound dirtier and more dynamic! Devastor isn't just good at creating distorted, monster sounds: it can also be used subtly to improve the timbre and character of gentler sounds. For example, reducing the preamp gain, increasing the threshold, and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion. When designing Devastor, we applied special antialiasing techniques to the output signal to make sure it was devoid of aliasing (one of the reasons why digital distortion units can sound so cold and un-musical). As a result, Devastor has a warm, musical, and very high quality sound. We would like to invite you to listen the audio examples to whet your appetite and to check out the demo version for yourself if you need any more convincing. Devastor uses algorithms of such high quality that you'd be forgiven in a blind test for wondering if the sound has somehow been sent from the computer to an external analog distortion unit and back into the computer again! Key Features Probably the best diode-clipper emulation on the market today Analog-modeled filters of extremely high quality Dynamics flattener Optional output limiter Tag-based preset browser Two alternative GUI sizes MIDI-learn functionality throughout 9 different topologies of connections for filters and the diode-clipper 64bit internal processing Ultra low aliasing output Platform: WiN32/64 - VST/AAX(MODiFiED) Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/devastor2 ------------------------------------*****------------------------------------ D16 Group Devastor 2.3.2 (44.82 MB) NitroFlare Link(s) https://nitroflare.com/view/9F6E9B83B27A107/D16_Group_Devastor_2.3.2.rar RapidGator Link(s) https://rapidgator.net/file/a133afdbcbff953795f88195f0c5cd29/D16_Group_Devastor_2.3.2.rar

D16 Group Spacerek 1.2.2 | 86.21 MB | Our compact, intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters. The hybrid algorithm at the heart of Spacerek fuses modelled virtual spaces to a dynamic delay network, generating reverb tails with supremely realistic early reflections, dense, colourful late reflections, and separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels and much more, and each one integrates a variety of preset stereo microphone and speaker setups. Spacerek also makes balancing the Direct signal, Early reflections and Late reflections easy with its three-channel mixer; while the highly musical Tilt EQ and Low Cut filter modules provide effortless shaping of the overall tail. And as each Reverb Model is pre-configured for left-right or mid-side stereo operation, tweaking width and spatialisation is a snap. Spacerek doesn't put the squeeze on your system, either - indeed, when you hear it, you can't fail to be impressed by its CPU-friendliness (compared with typical audio simulation techniques). The Virtual Space Reverb Spacerek's early reflections are generated by our proprietary Virtual Space Reverb engine, which simulates a diverse array of real-world spaces with painstaking accuracy. Each Reverb Model defines not only the acoustic properties of the space it represents, but also the positioning of the stereo speakers and microphones used to send the source signal through that space, for even greater environmental realism and versatility. Hybrid algorithm for quality and performance The late reflections are built up by a responsive dynamic delay network, which blends seamlessly with the Virtual Space Reverb's early reflections to create an incredibly natural sounding reverb tail. Independent Early and Late reflection Pre-Delay controls allow up to 1 second of start time offset to be applied to each, adjustable in nanoseconds, microseconds and milliseconds. And despite the quality and complexity of the acoustic modelling involved, Spacerek's innovative, optimised hybrid design keeps CPU usage lower than you might expect. 114 stunning Reverb Models Spacerek's expansive roster of modelled rooms lets you summon up vivid virtual stages of many kinds - from booths, chambers and halls to tunnels, chapels and towers - and switch between them at a click. Each room takes in multiple microphone and speaker configurations, too, for a total of 114 different Reverb Models, covering all your mixing and sound design bases. Convenient mixer Spacerek's three component signals - Direct, Early reflections and Late reflections - come together in a straightforward mixer. Quickly and easily set levels and stereo positioning, the latter in left-right or mid-side mode, depending on the selected Reverb Model. Tilt EQ and Low Cut filter Two stages of musical frequency shaping enable tonal customistation of the tail, for applying those crucial finishing touches to your reverb. The Tilt EQ provides instant boosting of lows or highs, while the Low Cut filter is ideal for clearing mud and rumble out of the mid and/or side signals. PLATFORM: VST/AAX(MODiFiED) Whats New Updates: official site does not provide any info about changes in this version. https://peeplink.in/31c09efbe524 ------------------------------------*****------------------------------------ D16 Group Spacerek 1.2.2 (86.21 MB) NitroFlare Link(s) https://nitroflare.com/view/F603D7041195977/D16_Group_Spacerek_1.2.2.rar RapidGator Link(s) https://rapidgator.net/file/b6b070730b1f80a7ac6288a438bccf6e/D16_Group_Spacerek_1.2.2.rar

D16 Group Repeater 1.2.2 | 72.37 MB | Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs. Repeater - a Vintage Modelled Delay plug-in - is a product of collaboration of D16 Group and Slate Digital. This effect can mimic the behavior of various classical devices, a 23 different unit types to be specific; ranging from classic oil cans and plates to the most famous vintage digital designs Cassette Tape - A model of an early 80's Japanese cassette tape deck. Coopy Cube - An early 70's delay originally made from a garden hose. Digital 42 - One of the most famous modern digital delays. Digital 42 x 2 - The double option on the Digital 42, it halves the sample rate for the lo-fi tone. Digital Delay - A clean, hi resolution digital delay (the default setting). DM-2 - An early bucket brigade analog delay. Mellow Delay - Subdued delay based on several vintage analog topologies. Memory Guy - Analog delay with vintage tone. Mirky Delay - Based on early bucket brigade analog delays. New Radio - Delay tone with FM radio style. Old Radio - Delay tone with AM radio style. Pitchy Delays - (3 models) - Delays with slight pitch modulations for extreme spatial effects. Plexy Echo - Based on an old 70s tape delay unit. Space Delay - Based on the famous magnetic tape delay. Tape Delay Ancient - An extremely old 1940's style tape delay tone. Tape Delay Classic - Early 60's style tape delay. Tape Delay Modern - Hi-fi tape delay. Tape Delay Vintage - 70's style tape tone. Telephone 1 - Lo-fi telephone tone. Telephone 2 - Another lo-fi telephone tone with slightly different frequency and distortion tone. TelRay - The analog delay classic made original from a tuna can. Also it's worth to mention Repeater only appears to be typical stereo delay effect processor with independent control of the processing path for the left and right channels, while in fact, it features independent re-panning and dry/wet mixing for each of two stereo channels, makes it a full double delay line effect. Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/repeater ------------------------------------*****------------------------------------ D16 Group Repeater 1.2.2 (72.37 MB) NitroFlare Link(s) https://nitroflare.com/view/E370652AEA29BAD/D16_Group_Repeater_1.2.2.rar RapidGator Link(s) https://rapidgator.net/file/9930464df5fc07b6c76a4091ca261985/D16_Group_Repeater_1.2.2.rar

D16 Group Redoptor 2.2.2 | 48.72 MB | Redoptor is a high quality Vintage Tube Distortion emulator. The organic sound of a tube amplifier being pushed into breakup has been the gold standard for overdriven and distorted tones for as long as musicians have been intentionally distorting their signals. The gentle natural compression and rich blend of even and odd harmonics produced by analog tube circuitry make any effected signal feel more powerful, punchy, and alive. Unlike solid-state transistor and fuzz circuits which only produce odd harmonics and limit the incoming signal in an unnatural and unresponsive way, Redoptor smoothly and dynamically responds to the changes in volume of incoming audio, just like a real tube amplifier. This means that louder sounds are saturated with more crunch and delicious harmonics, while softer and naturally decaying sounds clean up gradually. This creates a very sonically pleasing distortion. Exact circuit emulation In addition to its spot-on modeling of hot vacuum tubes being pushed into glorious, creamy distortion, Redoptor packs several features that allow it to accurately mimic the behavior of a complex analog circuit with all its interactive and complementary components. Redoptor's adjustable tube bias parameter creates subtle amplification of even harmonics and gentle transient reshaping in the signal. Every individual element of the plugin's signal chain has similarly been designed to capture the subtleties and dynamics of proper high-quality analog tube distortion. Completely adjustable preamp Redoptor expands on classic tube guitar amplifier circuit design by offering total control of the preamp's frequency range. The cut-off point for both high and low tones may be set before the signal is amplified and distorted, allowing for incredible versatility in sound shaping - from lo-fi to full-spectrum. Parametric EQ While many typical amplifiers and emulations rely on a fixed graphical equalizer offering limited control, Redoptor features a powerful parametric equalizer with independent gain and frequency control of 4 bands. Independent stereo channel processing Although based on the mono signal paths of vintage guitar amplifiers, Redoptor is a fully functioning stereo tube distortion with an independent path for each channel in the stereo signal. This allows each side to have completely different harmonics and distortion added to it. So, synth sounds, for example, can benefit from enhanced definition and stereo imaging in addition to the analog feel offered by the tube distortion emulation. Dynamics under control A built-in pre-gain compressor module and master output limiter provide even more freedom to sculpt the perfect saturated sound. These two elements are studio essentials for creative gain staging. The preliminary compressor adds punch and controls your signal's dynamic range before it hits the highly responsive distortion stage. The master output limiter tames unruly peaks and polishes your signal as it leaves the plug-in. Unique character Redoptor perfectly emulates the behavior of classic hot-rodded tube guitar amplifier circuits, allowing it to sound just as good as its real-world analog ancestors. Guitarists working in the digital realm will feel perfectly at home with Redoptor. Those who have played through an excellent high-gain tube amp will find the plug-in's warmth, crunch, responsiveness, and singing overtones immediately familiar. Producers and electronic musicians will also find Redoptor indispensable for the high-quality distortion, rich harmonics, and attitude it brings to their sounds. Use it to reamp guitar parts, fatten drum loops, sweeten arpeggiated synths, beef up bass lines, or heat up any sterile audio and you'll feel the difference its warm, rich, and truly unique character brings to your music. Key Features Exact tube and tube's coupled circuits emulation Preliminary filters Preamp with built-in compressor NEW Output limiter NEW Fully equipped parametric equaliser 64bit internal processing Tag based preset browser NEW Two alternative GUI sizes NEW MIDI-learn functionality throughout NEW PLatform: WiN32/64 - VST/AAX(MODiFiED) Whats New The update is a hotfix for issue with sound artifacts that might occured under certain circumstances in version 2.0.0. https://d16.pl/redoptor2/overview ------------------------------------*****------------------------------------ D16 Group Redoptor 2.2.2 (48.72 MB) NitroFlare Link(s) https://nitroflare.com/view/61F28C7C32D2CF4/D16_Group_Redoptor_2.2.2.rar RapidGator Link(s) https://rapidgator.net/file/aba9f860feec7c99b7ada9834f415197/D16_Group_Redoptor_2.2.2.rar

D16 Group Fazortan 2.2.2 | 82.07 MB | azortan 2 is the new incarnation of Controlable Space Phaser which is part of our SilverLine Collection. No need to say we didnt cut much corners on quality and that robust, yearned by all - analog feel of the sound. Total control over the Phase shifter provides you with adjustability and allows to obtain the desired contour with high precision. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre's tunes come from. Suprisingly the backbone here isn't the synth itself but the effect unit coupled with the synthesizer, saying more precisely - analog phaser of which our Fazortan 2 seems to be a fine equivalent. Thanks to the analog modelling technique we were able to implement allpass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers. Now in version 2 we're even closer to the sound character the original hardware unit brings. You can think about Fazortan 2 as of the exact copy of a retro phaser taken out from 70's and redone to become a virtual unit. But being the same sounding unit that provides primal functionality and sound of the original is where similarities end and where limitless scope of plugin comes to play. Bearing on mind only one Rate knob and a Color switch on the front panel of the real phaser device, Fazortan 2 from the first look at its GUI, presents itself as a completely new device that effectivelly expands capabilities of its origin. Structure Full control over two LFOs (waveform, rate and depth) controlling the unit and unlike the hardware unit Fazortan 2 LFO works in a various waveform modes: sinus, triangle, hyper-triangle and random (i.e. only triangle is availbale in original). By using both LFOs simultaneously you're now able to obtain result that owners of the hardware box could only dream about. Endless countour diversity stretches results from monotonius sluggish swing to become a gurgling scrumble, just by a slight repositioning of the the rate knob. Aditionally it is now possible to add consecutive allpass stages as well as regulate the feedback effect. The ammount of stages translates on how many humps and pits residues in the converted sound spectrum while feedback parameter value implies severity of these irregularities. Feedback knob gives you sounds from soft to rapid and drilling. To visually display how it works consider a white noise as an input signal. Moving the feedback knob will start to morph incoming "sea waves" reminiscent noise into "windy" whizz. Aditionally each lfo can be modified by altering its respective phase giving as a result an improved panning of the incoming signal. Who would like to use it? The best way to judge Fazortan 2 is to listen to it. You're welcome to our mp3 presentation. We made every effort to make sure Fazortan will fulfill all expectations one could have before buying an analog phaser unit. Especially guitarists and retro keyboard players may appreciate possibility to adjust it so it can emulate the rotary speaker, what along with its rich and lush sound, completes satisfactory every audio chain. Of course given much more maneuverability it is a fine fx unit to be adapted regardless of genre. Key Features True emulation of classic analog allpass phase shifter NEW Closer than ever to hardware solutions in version 2. 2 full controllable LFOs LFO synchronization with host application Unique sound different from the others digital phasers 64bit internal processing No harmonic distortions at output Tag based preset browser NEW Two alternative GUI sizes NEW MIDI-learn functionality throughout NEW Formats: AAX*, VST Whats New True emulation of classic analog allpass phase shifter Tag based preset browser Two alternative GUI sizes MIDI-learn functionality throughout https://d16.pl/fazortan2 ------------------------------------*****------------------------------------ D16 Group Fazortan 2.2.2 (82.07 MB) NitroFlare Link(s) https://nitroflare.com/view/7DD8D1C12B913C7/D16_Group_Fazortan_2.2.2.rar RapidGator Link(s) https://rapidgator.net/file/47cb743dee54e7e9ccb062f68baa7343/D16_Group_Fazortan_2.2.2.rar

D16 Group Frontier 1.2.2 | 150.9 MB | Frontier is a studio-grade limiter plug-in with simple and straightforward user interface. It allows for quick and efficient controlling dynamics of a channel, bus or master output. Frontier can be used as very transparent mixing / mastering limiter (at certain settings) with just licking the loudest amplitude peaks, or can be utilized as sound-shaper too, when more extreme settings are at stake. Especially with soft-clip option is enabled. Key features Configurable control input. Automatic output gain make up. Controllable release characteristic. Optional soft clip. Tag based preset browser. MIDI-learn functionality throughout. 64-bit internal processing. Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/frontier ------------------------------------*****------------------------------------ D16 Group Frontier 1.2.2 (150.9 MB) NitroFlare Link(s) https://nitroflare.com/view/B40880641859F04/D16_Group_Frontier_1.2.2.rar RapidGator Link(s) https://rapidgator.net/file/5fb42087b6db3ebdebac1eda7c0fe2c5/D16_Group_Frontier_1.2.2.rar

D16 Group Godfazer 1.2.2 | 89.55 MB | Godfazer is our most versatile and powerful modulation effect yet. Use it as a tremolo, chorus, rotary speaker, filter or phaser, or mix multiple processing styles for spectacular, complex results. The Swiss army knife of modulation effects. The most powerful modulation effect we've ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters. Vintage devices and more Godfazer's Ensemble section offers a wide range of delay- and amplitude-modulating vintage device emulations, including BBD-based choruses, Solina-style ensembles and rotary speakers, as well as a variety of original tremolos, auto-panners and other models. But that's only the beginning! Alongside the Ensemble, two identical Multi Filters each feature 40 spectacularly diverse filter types, from dual shelving EQs, low/high/band-pass models and formant filters, to an extensive selection of vintage and modern phasers. Powerful modulation Bringing movement and dynamism to the Multi Filters, Godfazer's dual Modulators each enable one of four styles of cutoff/center frequency modulation to be brought into play. Apply static offset to the left and right channels with the Constant Modulator; get things wobbling with the tempo-syncable, pannable, phase-adjustable LFO; generate a modulation signal based on input amplitude with the envelope Follower; and hand craft your own synced or free-running cyclical progressions with the 16-step Step sequencer. Freedom of routing Both Modulators are routed independently to each Multi Filter, for truly complex signal blending, and the polarity of every input can be inverted at a click. The Multi Filters themselves are configurable for parallel or serial signal flow using six topology options, which also determine the position of the Ensemble within the chain. ... Of course, Godfazer also includes all the standard features of the SilverLine plugin series, including 64-bit internal processing, three quality options for real-time playback and offline rendering, a resizable GUI, and a tagged preset browser. From enhancing beats, thickening basslines and glamorizing vocals, to animating pads and bringing life to keys and FX, no modulation-based task is beyond its sonic remit. Key features Ensemble module featuring 22 effect types / models, ranging from Choruses and Rotary speaker emulations (including various classic devices) to Tremolo and Auto-panning effects Adjustable Speed and Depth for most of the effect models 2 Multi Filter modules, each featuring 40 filter types / models, ranging from Resonant Filters and Vowel Filters to EQs to Phasers (including various classic devices) Adjustable Cutoff / Center Frequency and Emphasis for each model Balance control with optional Mid / Side mode Independent Modulation amount control with Invert option for each Modulator 2 Modulation blocks controlling (and shared by) both Multi Filters, with 4 modulation types each Constant modifier Independent Value offset controls for the Left and Right channels, with Link option LFO generator Adjustable Stereo Phase 6 LFO waveforms Optional Tempo sync Panning control Peak follower with Attack, Decay and Sensitivity parameters Step sequencer 16 individually adjustable steps Adjustable Rate with optional Tempo sync 6 different topologies for configuring the Multi Filter and Ensemble modules 64-bit internal processing No harmonic distortions at output Tag-based preset browser Over 100 presets Resizable GUI MIDI Learn for easy controller assignment Platform: WiN32/64 - VST/AAX(MODiFiED) https://d16.pl/godfazer https://d16.pl/godfazer ------------------------------------*****------------------------------------ D16 Group Godfazer 1.2.2 (89.55 MB) NitroFlare Link(s) https://nitroflare.com/view/E868BD011B4856F/D16_Group_Godfazer_1.2.2.rar RapidGator Link(s) https://rapidgator.net/file/0a430687f6d30ba6492523d79cb5dd90/D16_Group_Godfazer_1.2.2.rar

D16 Group Toraverb 2.2.2 | 54.72 MB | When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any "off-the-shelf" algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb. Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many ways by the user. Reverb is a critical effect in a mix. Result depends on the reverb algorithm used and the quality of the implementation. Usually reverb is used as a send effect in which many channels in a mix are routed to it. If a low-quality plug-in or hardware unit is used, the end results can sound very disappointing with the reverb tail sounding like it had been "ripped-off" in the mix. High quality of diffusion In Toraverb, we applied diffusing network of the highest possible quality based on modified all-pass filters. By doing this and using properly tuned parameters, we can almost eliminate unwanted flutter echo effects for every sound source. Two parametric EQs Toraverb is equipped with two independent, single band, fully parametric equalizers with 3 available curve types each. One is used to EQ early reflections and the other to EQ late reflections. This is an incredibly useful feature which provides a lot of control over the character of the reverb allowing to achieve most natural sound. Modulated tail Toraverb also has an additional modulation parameter, which affects the diffusing network. These are responsible for the distribution of the sound waves reflections in time. By changing the modulation, the sound of the reverb tail can be altered to give a more realistic effect of sound propagation. Modulation amount is controlled independently for early and late reflections. Realistic cross-talk To give a better impression of physical space, we have added an innovative spatial reflection algorithm to Toraverb. It improves spatial reflections by allowing cross-talking of reflected stereo waves between stereo channels. This models what happens in the real world when a sound audible only in the left ear is reflected and is heard in both ears. Early / Late mixer For convenient blending Early and Late reflections together. Now with balance parameters, for both reflection types, working in Left / Right or Mid / Side domains yet expanding palette of possibilities. Built-in ducker Essential functionality in the most studio situations. Toraverb features a built-in ducker, which's compresses FX signal's amplitude proportionally to the loudness of dry / unprocessed input, thus saving an overall output signal energy. Such a tool built into the plug-in is a real time-saver for any music producer or studio engineer. No need to employ any additional side-chain compression unit into your fx chain and simplify this aspect of use to the minimum. Key Features High quality diffusion network Pre-delay with optional tempo sync. Reverb's tail modulation (with independent control for Early and Late reflections) Controllable crosstalking spatial reflections Parametric EQ for Early and Late reflections (with 3 different curves each) Early and Late mixer (with stereo balance working in either L/R or M/S domains) Built-in ducker Adjustable FX crossfade characteristics Tag based preset browser Two alternative GUI sizes MIDI-learn functionality throughout 64bit internal processing Platform: WiN32/64 - VST/AAX(MODiFiED) Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/toraverb2 ------------------------------------*****------------------------------------ D16 Group Toraverb 2.2.2 (54.72 MB) NitroFlare Link(s) https://nitroflare.com/view/B918579FC47B4BA/D16_Group_Toraverb_2.2.2.rar RapidGator Link(s) https://rapidgator.net/file/c097061740bc020011976a0f6939be6a/D16_Group_Toraverb_2.2.2.rar

D16 Group Decimort 2.3.2 | 113.09 MB | Electronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and E-MU units) had a character and sound of their own. They added a "grit" and "colour" to the samples and loops they played back which made them sound "Fat" and sit well in a mix. This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used. Decimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it. It also acts as the perfect bit crusher with filter. Low quality sometimes is desired The complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter. Decimort has no internal aliasing. The only aliasing effect present in the system is the modelled aliasing of the classic samplers d16 modelled when creating it. Undesired artifacts are not present in the processed signal. Only wanted artifacts remain. A further very steep low-pass filter, synchronised to the signal frequency, can be applied at the end of the signal path to absolutely ensure that no unwanted out-of-band signals remain. More control Decimort offers not only bit resolution and sampling frequency to tweak. It provides far more advanced features like Two optional anti-alias filters - A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled. Adjustable Jitter - Introducing short-period, random fluctuations to the resampling frequency producing different type of harmonic distortion. Two quantization methods - Two available quantization methods; the mid-raiser and mid-tread decimation algorithms, each of them characterized by a drastically different dynamics response. Controllable dithering - Conceptually developed as means to reduce audible quantization errors by masking the harmonic distortions they cause. Here to increase number of ways in which the sound can be treated. Two in one Decimort is also equipped with analogue-like filters with adjustable resonance that allow further sculpting of the signal. These can be used to smooth the sound or remove more of the sonic artifacts introduced into the signal path by the modelling process. Features Ultra accurate resampling algorithm (ADC emulation, no harmonics above 22kHz). Approximative (pre) filter and Image (post) filter, both conjugated with resampler (new in v2). Adjustable jitter (new in v2). Quantization with controlled dithering (new in v2). Two quantization methods (mid-raiser, mid-tread) (new in v2). Analogue-like filters with adjustable resonance and cutoff. Tag based preset browser (new in v2). Two alternative GUI sizes (new in v2). MIDI-learn functionality throughout (new in v2). 64-bit internal processing. No harmonic distortions at output (unwanted). Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/decimort ------------------------------------*****------------------------------------ D16 Group Decimort 2.3.2 (113.09 MB) NitroFlare Link(s) https://nitroflare.com/view/7D64594CB4D181D/D16_Group_Decimort_2.3.2.rar RapidGator Link(s) https://rapidgator.net/file/af79d0c4024bef243542eb0ffb692465/D16_Group_Decimort_2.3.2.rar

D16 Group Tekturon 1.2.2 | 43.93 MB | Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it's controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can't be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs! Inspired by Ergonomics Each and every aspect of the plugin's workflow is presented in a visually clear and intuitive way, allowing for quick and precise control of every facet of the device, as well as the ability to easily tame all 16 delay lines it contains with global controls. The ability to visually grasp the entire layout with minimal effort allows you to achieve even the most complex results with extraordinary speed. Fully-featured delay lines Despite the imposed, fixed topology, each of the 16 delay lines has its own independent set of parameters providing complete control over Delay loop, Panning, Stereo spread, Post-tap multi-mode filter. Despite its superficially simple appearance, in the right hands Tekturon can be a very powerful production tool, indeed! Quick-access mute buttons You'll certainly appreciate these for live performance situations, among others: conveniently placed, always accessible, and MIDI-assignable mute buttons for selectively suppressing individual delay lines. Invigorate your arrangements, bring some life to your production, and have fun! Two-tiered Control Tekturon provides the ability to control some aspects of the processing globally (adjusting parameters of all 16 delay lines at once) or locally (individually per delay line), thus making it possible to exert both fine-grained and convenient, 'one-knob' control over your performance! PLATFORM: VST/AAX(MODiFiED) Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/tekturon ------------------------------------*****------------------------------------ D16 Group Tekturon 1.2.2 (43.93 MB) NitroFlare Link(s) https://nitroflare.com/view/A92DBD9EA0C4507/D16_Group_Tekturon_1.2.2.rar RapidGator Link(s) https://rapidgator.net/file/9af670fb2fbae0f50589af8ede6b0989/D16_Group_Tekturon_1.2.2.rar

D16 Group Syntorus 2.2.2 | 46.65 MB | Syntorus 2 is described as a Triple Path Analog Chorus and designed to provide a rich analogue sounding chorus, similar to the effect found on classic synthesizers like the Solina, Synthex or Juno. Analogue Delay Line The delay line module is the most important part of any chorus unit. To give Syntorus its character, D16 implemented a precise model of a high-quality analogue delay line and projected this into the digital domain. The plugin also gives you a choice of two BBD delay line models: by default, the chorus features "ideal" BBD modelling, but activating Analog BBD Emulation adds extra analog character to the signal. Three delay lines Most chorus effect units use just a single delay, but Syntorus features three analog delay lines to provide richer sound. Configurable modulation Syntorus' three LFO generators serve as modulation sources, routed to the delay lines in a number of switchable topologies. Filter and tremolo Each delay line has a multimode filter and a tremolo effect built in, both governed by the same modulation sources as the delay time. It allows to make convincing Leslie sounds, especially when delay modulation is used to simulate the directional characteristic and Doppler effect of a rotating speaker. The tremolo can be employed on its own or added to the modulated delay line for creating even more dynamic sounds. Complete synchronization Each LFO can be independently synchronized to the host DAW, enabling the rate to be set in musical note values at project tempo. Additionally the phase is also perfectly synchronized to the playhead position within a music project, ensuring that chorus always sounds exactly as it should at any point on the timeline. Features High-quality analog BBD delay line emulation. 3 delay lines, each one featuring Multimode filter. Tremolo effect. Panning. 3 LFO generators, each one featuring 6 waveforms. Timeline-locked tempo sync. Independent phase shift controls for left and right channels with link option. Amplitude control with invert option. 3 LFO-to-delay-line routing configurations. 64-bit internal processing. Tag-based preset browser. Three GUI scaling options. MIDI-learn functionality throughout. Platform: WiN32/64 - VST/AAX(MODiFiED) Whats New Updates: official site does not provide any info about changes in this version. https://d16.pl/syntorus2 ------------------------------------*****------------------------------------ D16 Group Syntorus 2.2.2 (46.65 MB) NitroFlare Link(s) https://nitroflare.com/view/34B63B287DCDF7E/D16_Group_Syntorus_2.2.2.rar RapidGator Link(s) https://rapidgator.net/file/78678c661ddee45425d6aba5255a766d/D16_Group_Syntorus_2.2.2.rar

Free Download D16 Group Toraverb 2 v2.2.2 | 45.6 Mb Toraverb 2 - Space Modulated Reverb - is an algorithmic reverb with modulated tail, which design is not based on any "off-the-shelf" algorithm, but it is a concept solution. Toraverb 2 features high quality diffusion network based on modified all-pass filters with an additional modulation parameter affecting the diffusion network, which is responsible for the distribution of the sound waves reflections in time. Modulation causes alteration to the sound of the reverb's tail to give a more realistic effect of sound propagation. Modulation amount is controlled independently for early and late reflections. Toraverb 2 also features spatial reflection algorithm with cross-talking of reflected stereo waves between stereo channels. This models what happens in the real world when a sound audible only in the left ear is reflected and is heard in both ears. There are also two independent, single band, fully parametric equalizers with 3 available curve types each. One is used to EQ early reflections and the other to EQ late reflections. Signal from Early and Late reverberation modules is blended together in Mixer, which provides, apart from controlled Levels, also Stereo Balance parameters for both reflection types, which can work in L-R or M-S domain. Finally Toraverb 2 features a built-in ducker, which compresses the FX signal's amplitude proportionally to the loudness of dry / unprocessed input without necessity of employing any additional side-chain compression unit into your DAW's fx chain. Key features: High quality diffusion network. Pre-delay with optional tempo sync. - New in V2 Reverb's tail modulation (with independent control for Early and Late reflections - New in V2). Controllable crosstalking spatial reflections - New in V2 Parametric EQ for Early and Late reflections (with 3 different curves each - New in V2). Early and Late mixer (with stereo balance working in either L/R or M/S domains - New in V2). Built-in ducker - New in V2 Adjustable FX crossfade characteristics - New in V2 Tag based preset browser - New in V2 Two alternative GUI sizes - New in V2 MIDI-learn functionality throughout - New in V2 64-bit internal processing. Home Page- https://d16.pl/toraverb2 Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/0321d86612f4 NitroFlare https://nitroflare.com/view/B25675025C35AE8/qys33.D16.Group.Toraverb.2.v2.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Tekturon v1.2.2 | 35 Mb Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What differs the unit from other, tap-based delay effects, is the way it's controlled and the topology which the taps are arranged into. Tekuron can't be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. Each of the 16 delay lines has its own independent set of parameters providing complete control over: Delay loop. Panning. Stereo spread. Post-tap multi-mode filter. Plus, several additional functions affecting whole plug-in; optional tempo sync, tap and swing effect. Tekturon also provides the ability to control some aspects of the processing globally (adjusting parameters of all 16 delay lines at once) or locally (individually per delay line). Furthermore, all audio parameters are automatable and MIDI-assignable, especially the quick-access mute buttons, which are conveniently placed, always accessible for selectively suppressing individual delay lines. Key features: 16 delay lines arranged in a sequence of taps equally delayed from each other Quick-access Mute buttons for selectively suppressing lines' outputs. Globally controlled (all 16 delay lines at once): Time grid - The delay between subsequent taps and base delay time for all 16 feedback loops. Optional host tempo synchronization. Feedback base value. Shuffle (swing). Master filter's settings. Locally (per delay line): Feedback relative to base value. Delay time as multiple of Time grid. Local filter's settings. Stereo Panorama. Stereo Spread. Output volume with level indication. Ultra-low digital aliasing output. Tag based preset browser. MIDI-learn functionality. 64-bit internal processing. Home Page- https://d16.pl/tekturon Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/7a1d623d74a3 NitroFlare https://nitroflare.com/view/F771E5BB05B2FD3/jk5vy.D16.Group.Tekturon.v1.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Syntorus 2 v2.2.2 | 46.7 Mb Syntorus 2 is described as a Triple Path Analog Chorus and designed to provide a rich analogue sounding chorus, similar to the effect found on classic synthesizers like the Solina, Synthex or Juno. Analogue Delay Line The delay line module is the most important part of any chorus unit. To give Syntorus its character, D16 implemented a precise model of a high-quality analogue delay line and projected this into the digital domain. The plugin also gives you a choice of two BBD delay line models: by default, the chorus features "ideal" BBD modelling, but activating Analog BBD Emulation adds extra analog character to the signal. Three delay lines Most chorus effect units use just a single delay, but Syntorus features three analog delay lines to provide richer sound. Configurable modulation Syntorus' three LFO generators serve as modulation sources, routed to the delay lines in a number of switchable topologies. Filter and tremolo Each delay line has a multimode filter and a tremolo effect built in, both governed by the same modulation sources as the delay time. It allows to make convincing Leslie sounds, especially when delay modulation is used to simulate the directional characteristic and Doppler effect of a rotating speaker. The tremolo can be employed on its own or added to the modulated delay line for creating even more dynamic sounds. Complete synchronization Each LFO can be independently synchronized to the host DAW, enabling the rate to be set in musical note values at project tempo. Additionally the phase is also perfectly synchronized to the playhead position within a music project, ensuring that chorus always sounds exactly as it should at any point on the timeline. Features: High-quality analog BBD delay line emulation. 3 delay lines, each one featuring: Multimode filter. Tremolo effect. Panning. 3 LFO generators, each one featuring: 6 waveforms. Timeline-locked tempo sync. Independent phase shift controls for left and right channels with link option. Amplitude control with invert option. 3 LFO-to-delay-line routing configurations. 64-bit internal processing. Tag-based preset browser. Three GUI scaling options. MIDI-learn functionality throughout. Home Page- https://d16.pl/syntorus2 Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/db9bad78b56b NitroFlare https://nitroflare.com/view/A56866F59894D3D/g4txk.D16.Group.Syntorus.2.v2.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Spacerek v1.2.2 | 86.2 Mb The hybrid algorithm at the heart of Spacerek fuses modeled virtual spaces to a dynamic delay network, generating reverb tails with realistic early reflections and algorithmic dense late reflections with separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels and much more, and each one integrates a variety of preset stereo microphone and speaker setups constituting list of 114 Reverb Models. Every Reverb Model is pre-configured for left-right or mid-side stereo operation Spacerek also allows balancing the Direct signal, Early reflections and Late reflections with simple Three-channel mixer. On the top of that Tilt EQ and Low Cut filter modules provide final shaping the overall tail. Key features: Hybrid room reverb algorithm, combining Virtual Space Reverb simulation for Early reflections and a Dynamic Delay Network for Late reflections 114 Reverb Models, taking in dozens of room types, each with multiple mic and speaker setups. Direct signal / Early reflections / Late reflections mixer Volume control for each channel. Balance control for each channel, with L-R or M-S stereo mode determined by the Reverb Model. Inependent Pre-delay controls for Early and Late reflections. Tilt EQ. Low Cut filter, independently activated for Mid and/or Side stereo components. 64-bit internal processing. Tag-based preset browser. Resizable GUI. MIDI Learn for easy controller assignment. Home Page- https://d16.pl/spacerek Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/f4da8d442818 NitroFlare https://nitroflare.com/view/759C580FF6B570D/i5m6t.D16.Group.Spacerek.v1.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Repeater v1.2.2 | 72.4 Mb Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs. Repeater - a Vintage Modelled Delay plug-in - is a product of collaboration of D16 Group and Slate Digital. This effect can mimic the behavior of various classical devices, a 23 different unit types to be specific; ranging from classic oil cans and plates to the most famous vintage digital designs: Cassette Tape - A model of an early 80's Japanese cassette tape deck. Coopy Cube - An early 70's delay originally made from a garden hose. Digital 42 - One of the most famous modern digital delays. Digital 42 x 2 - The double option on the Digital 42, it halves the sample rate for the lo-fi tone. Digital Delay - A clean, hi resolution digital delay (the default setting). DM-2 - An early bucket brigade analog delay. Mellow Delay - Subdued delay based on several vintage analog topologies. Memory Guy - Analog delay with vintage tone. Mirky Delay - Based on early bucket brigade analog delays. New Radio - Delay tone with FM radio style. Old Radio - Delay tone with AM radio style. Pitchy Delays - (3 models) - Delays with slight pitch modulations for extreme spatial effects. Plexy Echo - Based on an old 70s tape delay unit. Space Delay - Based on the famous magnetic tape delay. Tape Delay Ancient - An extremely old 1940's style tape delay tone. Tape Delay Classic - Early 60's style tape delay. Tape Delay Modern - Hi-fi tape delay. Tape Delay Vintage - 70's style tape tone. Telephone 1 - Lo-fi telephone tone. Telephone 2 - Another lo-fi telephone tone with slightly different frequency and distortion tone. TelRay - The analog delay classic made original from a tuna can. Also it's worth to mention Repeater only appears to be typical stereo delay effect processor with independent control of the processing path for the left and right channels, while in fact, it features independent re-panning and dry/wet mixing for each of two stereo channels, makes it a full double delay line effect. Home Page- https://d16.pl/repeater Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/bc382efd6666 NitroFlare https://nitroflare.com/view/50C13EE90CB6130/b2g56.D16.Group.Repeater.v1.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Redoptor 2 v2.2.2 | 48.7 Mb Redoptor 2 is a high quality Vintage Tube Distortion emulator. The popularity of tube distortion units are as a result of their superiority over the solid-state fuzz distortions which are based on transistor clipper circuits. Tubes produce even and odd harmonics and naturally compress the signal. Transistors produce only odd harmonics and limit the sound. In ordinary fuzz, when a signal goes over the threshold level it goes through the clipper circuit. As the signal volume falls back below the threshold (as the sound reaches its release stage), the harmonics added by clipping suddenly disappear. If the volume of a signal oscillates above and below the threshold, the clipping harmonics will appear and disappear with the signal level. This sounds unnatural and is unpleasant to listen to. This does not happen in Redoptor. As the sound source falls in volume in its release phase, the harmonics (which were created by the sound being initially above the clipper threshold), gently disappear with the original sound. This creates a sonically pleasing distortion. Exact circuit emulation Redoptor has an adjustable tube bias parameter. This allows subtle amplification of even harmonics and gentle transient reshaping in the signal. Similarly, like a hardware tube distortion, Redoptor reacts dynamically to each change in the amplitude of the input signal. As a result, the amplitude of even harmonics is not constant in time. Redoptor has a precisely modeled tube distortion module. The emulation doesn't just focus on the characteristics of the tube part of the circuit - it also models the rest of the circuits co-functioning with the tube within the distortion unit to capture all the subtleties and dynamics of proper high-quality analogue tube distortion. Adjustable pre-amp In a typical guitar amplifier, the pre-amp is usually fixed. In Redoptor it is not. Redoptor allows the cut-off point for low and high tones to be set before the signal is amplified. Parametric EQ Redoptor has a full parametric equalizer with 4 controllable bands. Most typical amplifiers have a fixed graphical equalizer, with 3 or 4 bands and only allow gain of the signal in each band. Independent stereo channel processing Redoptor is a fully functioning stereo tube distortion with an independent path for each channel in the stereo signal. This allows each channel to have completely different harmonics and distortion added to it. Try doing this with synth sounds - the timbre will sound much more defined. Controllable dynamics A built-in pre-gain compressor module and master output limiter allow to control distortion process in more efficient way. The preliminary compressor controls your signal's dynamic range before it hits the highly responsive distortion stage. The master output limiter eliminates unwanted output peaks from signal as it leaves the plug-in. Features: Exact tube and tube's coupled circuits emulation. Preliminary filters. Preamp with built-in compressor. Output limiter. Fully equipped parametric equalizer. 64-bit internal processing. Tag based preset browser. Two alternative GUI sizes. MIDI-learn functionality throughout. Home Page- https://d16.pl/redoptor2 Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/784827df0943 NitroFlare https://nitroflare.com/view/690BD340D4E0A12/jq860.D16.Group.Redoptor.2.v2.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Godfazer v1.2.2 | 80.5 Mb Godfazer is an Advanced Modulation Unit which features one Ensemble and two Multi Filter modules. The Ensemble offers a wide range of delay- and amplitude-modulating vintage device emulations, including BBD-based choruses, Solina-style ensembles and rotary speakers, as well as a variety of original tremolos, auto-panners and other models (22 in total). Each of the Multi Filters features 40 filter types / models; from dual shelving EQs, low/high/band-pass models and formant filters, to an extensive selection of vintage and modern phasers. Both Multi Filters can be animated using two shared Modulators. Each of these can animate of cutoff / center frequency using 4 different modulation types: Static offset to the left and right channels with the Constant Modulator. LFO generator with tempo sync option, panning and stereo phase shift. Envelope Follower. 16-step Step sequencer. Both Modulators are routed independently to each Multi Filter for complex signal blending, and optional polarity of every input. The Multi Filters themselves are configurable for parallel or serial signal flow using six topology options, which also determine the position of the Ensemble within the chain. Godfazer also includes all the standard features of the SilverLine plugin series, including 64-bit internal processing, three quality options for real-time playback and offline rendering, a resizable GUI, and a tagged preset browser. Key features: Ensemble module featuring: 22 effect types / models, ranging from Choruses and Rotary speaker emulations (including various classic devices) to Tremolo and Auto-panning effects: Adjustable Speed and Depth for most of the effect models. 2 Multi Filter modules, each featuring: 40 filter types / models, ranging from Resonant Filters and Vowel Filters to EQs to Phasers (including various classic devices) Adjustable Cutoff / Center Frequency and Emphasis for each model. Balance control with optional Mid / Side mode. Independent Modulation amount control with Invert option for each Modulator. 2 Modulation blocks controlling (and shared by) both Multi Filters, with 4 modulation types each: Constant modifier Independent Value offset controls for the Left and Right channels, with Link option. LFO generator Adjustable Stereo Phase. 6 LFO waveforms. Optional Tempo sync. Panning control. Peak follower with Attack, Decay and Sensitivity parameters. Step sequencer 16 individually adjustable steps. Adjustable Rate with optional Tempo sync. 6 different topologies for configuring the Multi Filter and Ensemble modules. 64-bit internal processing. No harmonic distortions at output. Tag-based preset browser. Over 100 presets. Resizable GUI. MIDI Learn for easy controller assignment. Home Page- https://d16.pl/godfazer Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/e98980dbffb6 NitroFlare https://nitroflare.com/view/87B1CF03A62A2EE/xduu5.D16.Group.Godfazer.v1.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Frontier v1.2.2 | 150.9 Mb Frontier is a studio-grade limiter plug-in with simple and straightforward user interface. It allows for quick and efficient controlling dynamics of a channel, bus or master output. Frontier can be used as very transparent mixing / mastering limiter (at certain settings) with just licking the loudest amplitude peaks, or can be utilized as sound-shaper too, when more extreme settings are at stake. Especially with soft-clip option is enabled. Key features: Configurable control input. Automatic output gain make up. Controllable release characteristic. Optional soft clip. Tag based preset browser. MIDI-learn functionality throughout. 64-bit internal processing. Home Page- https://d16.pl/frontier Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/122515e1cd69 NitroFlare https://nitroflare.com/view/0160B2E09FDF431/itx4m.D16.Group.Frontier.v1.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Fazortan 2 v2.2.2 | 82.1 Mb Fazortan 2 is the new incarnation of Controlable Space Phaser which is part of our SilverLine Collection. No need to say we didnt cut much corners on quality and that robust, yearned by all - analog feel of the sound. Total control over the Phase shifter provides you with adjustability and allows to obtain the desired contour with high precision. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre's tunes come from. Suprisingly the backbone here isn't the synth itself but the effect unit coupled with the synthesizer, saying more precisely - analog phaser of which our Fazortan 2 seems to be a fine equivalent. Thanks to the analog modelling technique we were able to implement allpass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers. Now in version 2 we're even closer to the sound character the original hardware unit brings. You can think about Fazortan 2 as of the exact copy of a retro phaser taken out from 70's and redone to become a virtual unit. But being the same sounding unit that provides primal functionality and sound of the original is where similarities end and where limitless scope of plugin comes to play. Bearing on mind only one Rate knob and a Color switch on the front panel of the real phaser device, Fazortan 2 from the first look at its GUI, presents itself as a completely new device that effectivelly expands capabilities of its origin. Home Page- https://d16.pl/fazortan2 Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/d0b55513fdd9 NitroFlare https://nitroflare.com/view/5DF4DE9E0E27EFA/a6xnt.D16.Group.Fazortan.2.v2.2.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Drumazon 2 v2.0.1 | 99.1 Mb The classic 909 sounds have reverberated over the decades in dance and techno, remaining relevant to this day. Drumazon sets a benchmark for faithful emulation in the digital domain. Sounds great, out-of-the-box The original 909 sounds a bit dry and requires extra processing for the audio to truly bloom but Drumazon's effect chain is fully equipped to provide the right flavor, out-of-the-box. Drum programming? A breeze A broad feature set and expressiveness make drum programming an inspiring and easy experience. Get under the hood You get the classic sound, but with extras that will surely meet expectations - both for purists and producers after a modern punchy attitude. A dedicated channel strip for every drum sound With EQ and compression per instrument, you can quickly perfect the original 909 sound. Final touches are so crucial A capable master section will give the final punch to your drum line. MIDI map and Trigger Outs Easily managable MIDI map and employing trigger outs it's a cherry on top. Home Page- https://d16.pl/drumazon Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/51c3b2b3a792 NitroFlare https://nitroflare.com/view/06CF4000B8BBDAC/h465c.D16.Group.Drumazon.2.v2.0.1.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Devastor 2 v2.3.2 | 44.8 Mb Devastor is a simple Multiband Distortion Unit. It is an enhanced version of the distortion unit from Phoscyon. Devastor consists of four essential blocks: Dynamics-flattener module (one-knob controlled input signal compressor). Diode-clipper distortion. Three multi-mode filter sections. Optionally activated signal limiter. The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper. Devastor's filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. Key features: Diode-clipper emulation. Analog-modeled filters (refined filter models v2). Dynamics flattener (with improved peak detection and more natural envelopes in v2). Optional output limiter (new in v2). Tag-based preset browser (new in v2). Two alternative GUI sizes (new in v2). Context menu based MIDI-learn functionality (new in v2). 9 different topologies of connections for filters and the diode-clipper (new in v2). 64-bit internal processing. Ultra low aliasing output. Home Page- https://d16.pl/devastor Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/5f13cac3e71c NitroFlare https://nitroflare.com/view/0EB15809D57A445/tylmz.D16.Group.Devastor.2.v2.3.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Decimort 2 v2.3.2 | 113.1 Mb Devastor is a simple Multiband Distortion Unit. It is an enhanced version of the distortion unit from Phoscyon. Devastor consists of four essential blocks: Dynamics-flattener module (one-knob controlled input signal compressor). Diode-clipper distortion. Three multi-mode filter sections. Optionally activated signal limiter. The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper. Devastor's filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. Key features: Diode-clipper emulation. Analog-modeled filters (refined filter models v2). Dynamics flattener (with improved peak detection and more natural envelopes in v2). Optional output limiter (new in v2). Tag-based preset browser (new in v2). Two alternative GUI sizes (new in v2). Context menu based MIDI-learn functionality (new in v2). 9 different topologies of connections for filters and the diode-clipper (new in v2). 64-bit internal processing. Ultra low aliasing output. Home Page- https://d16.pl/devastor Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/5d81fe94b2dd NitroFlare https://nitroflare.com/view/2C7A73E8A364328/prtvr.D16.Group.Decimort.2.v2.3.2.rar Links are Interchangeable - No Password - Single Extraction

Free Download D16 Group Antresol v1.3.2 | 51.9 Mb Antresol brings in the classic Mistress stomp box back to life. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character. Antresol is a thorough incarnation of this classic and the newest effect in the SilverLine Collection. An exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line (a Bucket Brigade Device) is a center piece of Antresol. Its users are provided with absolute control over every aspect of the BBD-based delay line (including calibration of the linearity of the clocking system or the number of analog memory cells constituting the backbone of the BBD). In addition to the standard parameter knobs found on the face of the original unit, there is also a wide range of deeper parameters available to tweak, such the on-PCB trimpots which would normally be inaccessible without taking the stompbox apart. Also fully controllable LFO (with adjustable phase and rate sync to a host application's tempo). The ability to unlink the stereo channels and control the most important parameters independently for left and right (or mid/side, depending on selected mode). Key features: True emulation of BBD based analog delay line. Optional independent parameter control for each stereo channel. Selectable L/R or M/S stereo processing modes. Mistress mode allows the whole unit to work the same as the classic flanger. LFO can be synchronized with your host application. 3 different LFO-to-BBD clock curves. Ultra-low aliasing output. Highly musical and pleasant sound. Tag-based browser. Selectable GUI sizes. MIDI-learn functionality throughout. 64-bit internal processing. Home Page- https://d16.pl/antresol Recommend Download Link Hight Speed | Please Say Thanks Keep Topic Live Rapidgator-->Click Link PeepLink Below Here Contains Rapidgator http://peeplink.in/af02ed223beb NitroFlare https://nitroflare.com/view/6562F5C857B3ABC/rn62n.D16.Group.Antresol.v1.3.2.rar Links are Interchangeable - No Password - Single Extraction